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A Winning Proposal From Sandra Bullock

Romantic comedy with Ryan Reynolds scores estimated $34.1 million debut—the biggest of Bullock's career

By Joal Ryan Jun 22, 2009 12:00 AMTags
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The way The Hangover was going, Sandra Bullock would need the biggest opening of her career—by a lot—in order to end the Vegas comedy's two-week reign of debauchery atop the box office.

Done.

The Bullock romantic comedy, The Proposal, costarring Ryan Reynolds, scored an estimated $34.1 million from Friday to Sunday, beating The Hangover ($26.9 million) and another holdover not soon to be confused for a pushover: Up ($21.3 million).

The new Jack Black-Michael Cera comedy Year One took the bite out of bad buzz with a respectable $20.2 million debut.

Drilling down into the numbers:

Remember the debate over whether Julia Roberts was too old to open a movie? Maybe she isn't old enough. At almost 45, Bullock is Roberts' senior by more than three years.

Prior to The Proposal, the most a Bullock movie had ever made in its opening weekend was $17.6 million, for last year's Premonition. Her biggest romantic-comedy debut was Two Weeks' Notice's $14.3 million.

The Proposal benefited from good timing: Ghosts of Girlfriends Past, the summer's other romantic comedy, was done; the new Transformers movie, opening Wednesday, was not yet crushing the competition. "Obviously, we knew this would be the perfect location for us," Disney distribution president Chuck Viane said today.

Disney, by the way, is not expecting The Proposal to get completely crushed by Transformers: Revenge of the Fallen. Said Viane: "Not everybody will go to see Transformers."

Per advance-ticket sellers, many, many, many people will go see Transformers. Per a report in the New York Times, a whole lot of Brits showed up for the sequel's U.K. opening night on Friday, with ticket sales up 50 percent over the first movie's debut there.

The Hangover pushed its overall haul to $152.9 million and pushed its way closer to the ranks of the Top 20 R-rated grossers of all time.

Up upped its take to $224.1 million and moved past WALL-E on the list of Disney/Pixar hits. Next target: Cars.

Star Trek ($4.7 million) passed the $235 million mark on Friday and, by Box Office Mojo's calculations, became the top-grossing Trek movie of all time even after adjusting for inflation. As of today, the movie's overall domestic gross stood at an estimated $239.4 million.

The Taking of Pelham 1 2 3 ($11.3 million) dropped three places in the box-office standings and 52 percent in ticket sales.

Bet the makers of Terminator: Salvation ($3.1 million) know how to say "thank you" in several langauges. Domestically, the $200 million behemoth is an underperformer, with a $119.5 million take after five weekends. Overseas, it's a chart-topper that's grossed about $165.5 million.

Angels & Demons ($2.8 million) wrapped its run in the Top 10 after five weekends and, considering its $150 million budget and its Da Vinci Code genes, a soft $128.1 million take. But even more than Terminator: Salvation, the Tom Hanks franchise was a monster overseas, grossing $444.6 million worldwide to date, per Box Office Mojo.

Drag Me to Hell ($1.9 million) is out of the Top 10 after three weekends and a $39.2 million run. On the downside, the Sam Raimi flick was not all that big overseas. On the upside, it didn't have to be—it only cost a reputed $30 million to make.

In limited release, Woody Allen's Whatever Works dominated, with $280,720 at only nine theaters.

Here's a complete look at the weekend's top-grossing films based on Friday-Sunday estimates as compiled by Exhibitor Relations:

  1. The Proposal, $34.1 million
  2. The Hangover, $26.9 million
  3. Up, $21.3 million
  4. Year One, $20.2 million
  5. The Taking of Pelham 1 2 3, $11.3 million
  6. Night at the Museum: Battle of the Smithsonian, $7.3 million
  7. Star Trek, $4.7 million
  8. Land of the Lost, $4 million
  9. Imagine That, $3.1 million
  10. Terminator Salvation, $3.1 million

(Originally published June 21, 2009 at 9:43 a.m. PT)