Zoey Grossman / ELLE
She rose to fame playing Kelly Kapoor on The Office and also served on a writer and producer on the hit series, which aired between 2005 and 2013. While Kaling was part of the cast and writing staff from day one, she started producing at the start of the show's third season.
In a cover story for its Women in Hollywood November 2019 issue, ELLE magazine reported that early on in her tenure, after The Office was nominated for an Emmy for Outstanding Comedy Series, the Television Academy told Kaling that because there were too many producers on the show, they were going to cut her from the list. This would have made her, the only woman of color on the team, ineligible for an Emmy like the rest of the staff.
"No one person was singled out," an Academy spokesman said in a statement to The Los Angeles Times on Wednesday, in response to Kaling's comments. "There was an increasing concern years ago regarding the number of performers and writers seeking producer credits. At the time the Producers Guild worked with the Television Academy to correctly vet producer eligibility."
Kaling did end up making the list after all, joining 11 others, including two other women. But she had to advocate for herself, according to the magazine.
"They made me, not any of the other producers, fill out a whole form and write an essay about all my contributions as a writer and a producer," the actress told ELLE. "I had to get letters from all the other male, white producers saying that I had contributed, when my actual record stood for itself."
Kaling tweeted on Wednesday, "I've never wanted to bring up that incident because The Office was one of the greatest creative experiences of my life, and who would want to have an adversarial relationship with the Academy, who has the ongoing power to enhance our careers with awards?"
"But I worked so hard and it was humiliating," she continued. "I had written so many episodes, put in so much time in the editing room, just to have the Academy discard it because they couldn't fathom I was capable of doing it all. Thankfully I was rescued by my friends, the other producers. The point is, we shouldn't have be bailed out because of the kindness our more powerful white male colleagues. Not mentioning it seemed like glossing over my story. This was like ten years ago. Maybe it wouldn't happen now. But it happened to me."