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    James Bond vs. Jason Bourne

    Daniel Craig, Matt Damon Karen Ballard/Sony Pictures; Jasin Boland/Universal Studios

    Compared to James Bond, Jason Bourne is a punk.

    When it comes to movie franchises, the Ian Fleming-conceived spy has it all over Robert Ludlum's in terms of longevity, international appeal, and sheer number of bedroom scenes.

    True, the Matt Damon Bourne films have been almost universally hailed by critics, while the Bond series has been hit and miss.

    And, oh, yes, there's one other thing. The last two Bourne movies have made more money, domestically, than any one Bond movie, domestically. Ever.

    Quantum of Solace, your move.

    Opening Friday, Quantum of Solace is the 22nd Bond adventure, and the second to star Daniel Craig.

    Already an international blockbuster, the movie has grossed some $160 million in two weeks outside the U.S. And while reviews here have been mixed (unlike the ecstatic reception that met Craig's first Bond, Casino Royale) expectations are for Quantum of Solace to be a U.S. superpower.  

    With MovieTickets.com reporting nearly 400 sold-out screenings as of Wednesday, Exhibitor Relations was projecting a $55-60 million opening weekend. Lee Tistaert of LeesMovieInfo.com was more bullish, calling for a $63 million debut.

    Which still wouldn't be as big as the biggest Bourne opening. 

    Inflation is, of course, a factor, if not the overriding explanation. Movie tickets cost considerably more in 2002, when the first Bourne was released, than in prehistoric 1963, when the first Bond was released.  

    But even in a fairer fight—2007's The Bourne Ultimatum versus 2006's Casino RoyaleBourne still comes out on top: a $227.5 million domestic gross compared to $167.4 million; a $69.3 million opening weekend compared to $40.8 million. 

    "I think cast is an issue," says filmmaker Richard Schenkman, who founded and formerly ran the James Bond 007 Fan Club. "I think the Bourne movies hit at a very good moment in [Damon's] career."

    Beyond that, Schenkman thinks the Bourne movies tapped into something often underestimated in box-office discussions: Quality matters.

    "The Bourne movies are just so good, everyboy tells everybody you just have to see this thing," Schenkman says.

    Quality paid off for Casino Royale, which cashed in its four-star buzz for the franchise's biggest domestic gross, and a nearly $600 worldwide take overall, a number far bigger than any put up by the Bourne movies.

    What was not missed on audiences of Casino Royale, however, was that the new-look Bond looked an awful lot like Jason Bourne. The resemblance was especially striking in the revved-up—or too "violent," as Bond alum Roger Moore recently put it—action sequences.

    If it seems unbecoming for Bond to aspire to be anyone but Bond, think again.

    "Everything changes the James Bond series. They're very in touch with the moment," says Deborah Lipp, author of The Ultimate James Bond Fan Book. "Just the way Live and Let Die was influenced by blaxploitation, just the way Moonraker was influenced by Star Wars. So, sure [Bourne] is an influence."

    "But it's not an imitation."

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