It's a placement Clooney himself would agree with, the Oscar winner having said he "terribly destroyed the part" with his turn in 1997's Batman & Robin. Plus, you know, bat nipples—not the look. (Counter: Val Kilmer's suit ALSO had the nips.) Having gone on to do much, much better work, the actor, at the time still starring on E.R., has said he took a valuable lesson away from his time as the Caped Crusader. Learning that castmate Arnold Schwarzenegger (Mr. Freeze) pocketed "like 20 times more than I was paid," he said on The Hollywood Reporter's Awards Chatter podcast in 2019, he began to reconsider how he picked roles. "We worked together for one day. But I took all the heat," he noted. "Now, fair deal—I was playing Batman and I wasn't good in it, and it wasn't a good film, but what I learned from that failure was that I had to rethink how I was working because now I wasn't just an actor getting a role, I was being held responsible for the film itself." His subsequent gigs (O Brother, Where Art Thou?, The Perfect Storm, Ocean's Eleven) he continued, were "a very specific choice for me to find better projects."
Taking over for Michael Keaton in 1995's Batman Forever, the original star leaving with director Tim Burton when it became clear the studio was seeking campier comic book fare, the Top Gun alum, like Clooney, only took one turn in the cowl. As such, though he wore the hell out of Bruce Wayne's tux, he never fully put his stamp on the role. And while some blame can be attributed to Joel Shumacher's more lighthearted vision—and the strained relationship between the director and his star—as Kilmer himself has admitted, he never really took to his superhero status. A moment of clarity came when he was tasked to do a meet-and-greet with investor Warren Buffett's grandkids and made notice of the fact that they were more interested in the props than the real-life, costumed Batman in front of them. "That's why it's so easy to have five or six Batmans," he explained to The New York Times in May 2020. "It's not about Batman."
The OG Batman, West fully embraced the campy '60s feel of the comic book character. We're talking gamely committing to the underwear-over-leotard look and myriad sound effects of the short-lived ABC series and 1966 film. That, in itself, deserves praise. Even if this sillier Batman take isn't really your bag, there's something to be said about a star who truly relishes tackling on the role of a smooth millionaire with a side gig as a masked detective. His ability to play straight man to the various over-the-top villains with a healthy serving of self-awareness about just how ridiculous it might be to say, dance the Batusi, makes for an enjoyable watch.
Ah, Batfleck. The two-time Oscar winner leveraged all of the outrage over his casting—the petition, the fired up tweets, the epic collapse experienced on certain comic-themed corners of the Internet—into a pretty solid performance in 2016's Batman v Superman: Dawn of Justice. Critiques that, at 43, he was well past his Batman prime proved unfounded with the star possessing both the life experience and the acting chops to nail director Zack Snyder's more road weary version, a hero that's borne just a bit of psychological damage from all that caped crusading. Physically, he certainly answered the call, beefing up considerably, both for the gratuitous look-how-I-can-do-pull-ups-with-tires-chained-to-my-torso scenes and to realistically portray the stunningly over-the-top battles he faced in both Batman v Superman and the subsequent Suicide Squad and Justice League.
Alas, fans never got to see how Batfleck would fare in a standalone film. Though he was initially set to star in and direct one, Affleck stepped down in 2017 and Matt Reeves was brought in to reboot the franchise. Oh, what could have been.
"I tried to direct a version of it and worked with a really good screenwriter, but just couldn't come up with a version, I couldn't crack it," Affleck told Jimmy Kimmel in 2019. "So I thought it was time to let someone else take a shot at it. They got some really good people, so I'm excited."
The first modern-era Bruce Wayne, Keaton kicked off the trend of comic book fans melting down over casting choices. But the comedic actor, who'd worked with director Burton on 1988's Beetlejuice, demolished expectations, deftly taking the role from hammy to the dark vigilante we know and love. Leading a cast of Jack Nicholson (as a deliciously over-the-top Joker) and Kim Basinger (love interest Vicki Vail) in 1989's Batman and the 1992 follow-up Batman Returns (with Michelle Pfeiffer as Catwoman), his work as the socially awkward, perhaps a bit crazy Bruce and the solidly stoic Batman set the stage for every star that would step into his boots thereafter.
Here's the thing about the Twilight star's take on Bruce Wayne/Batman: He is a full-fledged freak and despite all his rage he is still just a bat in a cave.
Pattinson beat out Nicholas Hoult, Armie Hammer and Aaron Taylor-Johnson to take over the mantle in Matt Reeves' The Batman, which is as much of a psychological detective thriller in the vein of Chinatown and Seven as it is a superhero movie. (The director has said his take on the character was inspired by Kurt Cobain.) More disaffected youth than dour demi-God, his Bruce Wayne is basically a reclusive ghost, the actor having far more dialogue as the Caped Crusader—though you almost feel like have to lean in to really hear him—than as the brooding billionaire, a welcome change for the character.
Portraying Batman in his second year as Gotham's masked vigilante, Pattinson still manages to invoke the vulnerability of the broken boy behind the mask and the brash physicality of a man still learning the limits of his abilities. Given his penchant for choosing unusual roles and working with indie filmmakers, it makes sense that Reeves thought Pattinson would be the perfect Batman for his moodier interpretation, even writing the script with the British actor in mind before he had signed on.
Rather than avoid the character's long movie history, Pattinson wasn't afraid to look back at other actors take on the role to inform his own.
"I watched a lot of them on the run-up to it to just see where's a gap and something that hasn't really been explored yet," Pattinson told GQ, explaining his version is "really, really sad."
In the eight years between the Batman & Robin flop and Christopher Nolan's Batman Begins reboot, a long list of notables, we're talking Joshua Jackson, Eion Bailey, Hugh Dancy, Billy Crudup, Cillian Murphy, Henry Cavill and Jake Gyllenhaal, auditioned for the role, but Nolan found his guy in Bale. Treating his rich character arc across the 2005 to 2012 trilogy with as much deference as his other Oscar nominated work, the actor's gravelly-voiced, complex, grittier turn as the Dark Knight paved the way for the more realistic superhero fare that would follow. (Frankly, holding his own against Heath Ledger's genius Joker might be enough to earn the top spot.) "We knew we had to reinvent it," Bale told the Toronto Sun in 2019. "I literally had people laugh at me when I told them we were doing a new kind of Batman. I think that the reason it worked was first and foremost Chris' take on it." Perhaps, most importantly, he knew when to hang up the cowl. Feeling satisfied with the opportunity to complete the full trio of films, he and Nolan balked when talk of a fourth cropped up: "I said, 'No. We have to stick to Chris' dream, which was always to, hopefully, do a trilogy. Let's not stretch too far and become overindulgent and go for a fourth.'"