It's too bad, because the film's provocative themes of race and recovery are worth examining, and newcomer Shareeka Epps astounds with her naturalistic performance.
by | Fri., Aug. 25, 2006 12:00 AM
It's too bad, because the film's provocative themes of race and recovery are worth examining, and newcomer Shareeka Epps astounds with her naturalistic performance.
Perhaps the sparse dialogue, long sequences of mundane actions--like driving or, say, smoking (exciting!)--and the incredible lack of actual plot movement are attempts to establish a sense of minimalism, but it just means enjoyment is at a minimum as well.
--Dezhda Mountz
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