In the end, yes, Sex and the City's largely female fan base was a bad box office thing. For Indiana Jones.
The big-screen outing for Carrie Bradshaw and company knocked the latest Indy adventure from atop the weekend box office standings, with an unprecedented $55.7 million three-day gross, per studio estimates today from Exhibitor Relations Co.
The debut makes Sex and the City the top-opening romantic comedy of all time, bypassing the likes of Hitch ($43.1 million), The Break-Up ($39.2 million) and Knocked Up ($30.7 million).
It also ranks as the second biggest debut for a TV adaptation behind Mission: Impossible II, which opened with $57.8 million in 2000, per Box Office Mojo.
Sex's opening beat the most optimistic projections, which foresaw a Friday-Sunday gross in the $40 million range.
And it trumped conventional wisdom that said the film's woman-led cast of Sarah Jessica Parker, Kim Cattrall, Kristin Davis and Cynthia Nixon and female-skewing storylines, all continuations from the 1998-2004 series, would limit its ability to sell tickets.
With the initial questions answered, only one lingered: Once the initial rush was over, would Sex be a short-lived phenomenon?
Sex opened big—very big—on Friday, amid reports of group parties and thousands of sold-out screenings. Its nearly $27 million take was more than Indiana Jones and the Kingdom of the Crystal Skull brought in on its first day, which was albeit a Thursday.
But where most movies, even a fellow R-rated comedy like Knocked Up, get bigger on Saturday, Sex got smaller, slipping to $17.7 million. Sunday was expected to bring in $11.1 million.
Add it all up, though, and Sex will end the weekend nearly covering its $65 million budget. And that's not counting overseas grosses, which were not yet reported.
Here's a recap of the top-grossing weekend films based on Friday-Sunday estimates compiled by Exhibitor Relations: